Very Late on The Dark Knight
So, as I mentioned in my last post, I had a summer that was crazy busy. Not sure if I mentioned it then or not, but I did not see a single movie in the theaters the entire time I was back East. It simply was not possible. So I missed out on some major films that I wanted to see. So now that I'm back in town, I'm seeing movies with a vengeance. I've seen three in the last week, and I'm sure there's more to come soon!
I may discuss those others soon enough, but I've wanted to see The Dark Knight all summer, and finally got the chance to see it tonight. On IMAX, of course. Because as a friend of mine said, it is the only way to see it. Well, not so sure about that, but it was damn cool.
So anyway, I have not read any of the scuttlebutt floating about the Scribosphere or elsewhere regarding this film. So if I repeat anything that others have said, you can feel free to ignore it. But anyway, I definitely liked it a lot. Not sure whether I liked it more or less than Batman Begins. This was simultaneously more focused, and more disjointed, with a relatively singular storyline, but plenty of mindfucks along the way. And I think that is a big part of building the film around the theme (which I will get to in a minute).
It definitely seemed like a lighter (visually speaking) film, with much more taking place during the daytime, and a grounding in more familiar territory (hard to mistake the Chicago settings for anything else). And these changes, among others, are what made this a vastly distinct film than its predecessor, and yet at the same time, the characters were strong enough to ground us in the world of the previous film. For this the filmmakers are to be highly commended. Unlike many other sequels, particularly in the superhero genre, I felt as if this film moved significantly further from the first film than most, while still feeling like a part of the franchise.
To me, the big thing about this film is its exploration of theme. I saw it as making a big political statement about the war on terror. To me this was a relatively blatant point, but my friend who I saw it with (not in the film world, so not necessarily thinking about films as actively and critically as I do -- probably a good thing, by the way) said she didn't even notice any of that. Of course, once I mentioned it, she totally saw it too. But to her it wasn't as in your face.
So that being said, I'm not so sure how much I like the placement of this theme in this film. I like the Batman films for what they are -- good adventures with a major exploration of character. I'm not so sure I like it when they move from that into a critique of national politics. Just not sure I feel it is the "appropriate space" for it. I'm sure many would disagree and say that just the opposite is true -- there may be no better place. But that's just my opinion as a fan alone.
So what did y'all think? Firstly, was I alone in seeing that message in there? And secondly, did you guys mind it?
Tags: screenwriting, The+Dark+Knight, theme
I may discuss those others soon enough, but I've wanted to see The Dark Knight all summer, and finally got the chance to see it tonight. On IMAX, of course. Because as a friend of mine said, it is the only way to see it. Well, not so sure about that, but it was damn cool.
So anyway, I have not read any of the scuttlebutt floating about the Scribosphere or elsewhere regarding this film. So if I repeat anything that others have said, you can feel free to ignore it. But anyway, I definitely liked it a lot. Not sure whether I liked it more or less than Batman Begins. This was simultaneously more focused, and more disjointed, with a relatively singular storyline, but plenty of mindfucks along the way. And I think that is a big part of building the film around the theme (which I will get to in a minute).
It definitely seemed like a lighter (visually speaking) film, with much more taking place during the daytime, and a grounding in more familiar territory (hard to mistake the Chicago settings for anything else). And these changes, among others, are what made this a vastly distinct film than its predecessor, and yet at the same time, the characters were strong enough to ground us in the world of the previous film. For this the filmmakers are to be highly commended. Unlike many other sequels, particularly in the superhero genre, I felt as if this film moved significantly further from the first film than most, while still feeling like a part of the franchise.
To me, the big thing about this film is its exploration of theme. I saw it as making a big political statement about the war on terror. To me this was a relatively blatant point, but my friend who I saw it with (not in the film world, so not necessarily thinking about films as actively and critically as I do -- probably a good thing, by the way) said she didn't even notice any of that. Of course, once I mentioned it, she totally saw it too. But to her it wasn't as in your face.
So that being said, I'm not so sure how much I like the placement of this theme in this film. I like the Batman films for what they are -- good adventures with a major exploration of character. I'm not so sure I like it when they move from that into a critique of national politics. Just not sure I feel it is the "appropriate space" for it. I'm sure many would disagree and say that just the opposite is true -- there may be no better place. But that's just my opinion as a fan alone.
So what did y'all think? Firstly, was I alone in seeing that message in there? And secondly, did you guys mind it?
Tags: screenwriting, The+Dark+Knight, theme